Agenda

De Castelli presented a curated selection of products from the Iridium Edition, within a temporary installation open to visitors for a few days.

The upcoming A@W Warsaw event will take place on the 28th and 29th of May.

De Castelli presents Ordita, a collection of metal surfaces which transform the act of hand weaving into a new textural expression.

On the occasion of the 2025 Salone del Mobile, Elle Decor presents Elle Decor ALCHEMICA.

During Milan Design Week 2025, Casa Cork by David Rockwell will showcase design innovation through an immersive installation.

De Castelli and Mistral, two Italian excellences in the field of design and materials, announce their collaboration with Sale.

De Castelli invited the 31 designers who contributed to the Ornamentum project to a special lunch held in their workshops.

De Castelli is expanding its presence through a new corner in Uzbekistan.

De Castelli’s Vela wall cladding, designed by Gnosis Progetti, has been awarded with the 2024 ADA.

De Castelli is expanding its presence in the Australian market at By Vincenzo.

De Castelli’s Folio table, designed by Draw Studio, has been selected for the 2024 ADI Design Index by the ADI Permanent Design Observatory.

The Arena De Castelli hosted its first public theater event: “Fango. Storia di una alluvione.”

HoperAperta presents the exhibition MIMESIS Forma Immagine, scheduled from 15 to 21 April in the heart of the fashion district.

At EDIT Napoli, the prestigious trade fair dedicated to editorial design, the Sala Filangieri of the State Archive will feature Ornamentum by De Castelli.

The event celebrates the best there is in international contemporary craftsmanship, curated by the Michelangelo Foundation.

Ornamentum, De Castelli’s latest research which explores the versatility of the erosion technique will be exhibited by @ Boffi | DePadova in Paris.

On the occasion of the 2024 Salone del Mobile, Fondazione Cologni dei Mestieri d’Arte is pleased to present the eighth edition of Doppia Firma.

With Ornamentum, De Castelli returns to the essence of decoration, underlining the deliberate slowness of the manual gesture.