Antonio Marras does not follow the rules; he steps outside the margins. He is a nonconformist: he makes, unmakes, arranges, pairs, fits together, cobbles, assembles, unites existing, forgotten pieces, and pieces originally intended for other uses — objects created specifically only to become something else once again. His works are the result of chance and intuition. After all, it is the fire that decides. Fire is his master. And this master is Hephaestus, the god of metallurgy.

Totems that defy gravity, screens that seem written in a forgotten alphabet, lamps and mirrors, furniture that appears to breathe at the mere touch of moonlight: limited-edition works of art conceived, designed, and decorated by Antonio Marras in De Castelli workshops.